Alexis
Zelda Stevens
Following her 2 month residency at ArtSway,
Alexis returned to install her work in the main gallery. The installations
are tactile extensions of her earlier painting, a reinterpretation
of her developing visual language in 3D form.
Alexis has been exploring the ways in which
meaning and structure can be ruptured and fragmented by inserting
forms that evoke emotional or intuitive responses, that touch on
the uncanny. Through suggesting familiar spaces, but where a disturbing
decentring of meaning occurs, she is stressing the importance and
the presence of the intuitive, in a world where meaning and logical
cohesion predominate.
In the main gallery, suspended timbers create
an oppressive space, whilst also enlivening it with shadows. Through
these emerge tree forms, painted an unnaturally bright pink. Other
forms articulate the space below the timbers.
In the second room, cast forms lie on the
floor, and boards referencing the supports of paintings - all are
apparently recognisable, but on closer look they confound expectations
and throw the viewer's attention back on to themselves and their
physical relationship with the forms in the confined space.
The exhibition continues until 19 June.
On the first day of the exhibition, 30 April,
Alexis talked about her work with the Director of ArtSway, Mark
Segal.
Work carried out by Alexis during her residency
can be seen on work in progress

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